Whether it's clothing, art pieces, or furniture, it has to be genuine. Everything has to be of quality, of emotion. That's never been something that motivates me. I don't have a desire to just make something for the sake of making it. Infinity and beyond! I really want to create from an honest place.

You just graduated from Parson's School of Design, what's next? She was the first person I ever tried cryotherapy with in Monaco. We ended up traveling all across the world. Kode Magazine and the Editor-in- Chief, Allan Troy Watson, couldn't make it to style and asked me to go. There was something so beautiful about that to me, and it made me more interested in styling. The focus wasn't on the girl's identity, it was a work of art, all for the sake of commerce. I would study their images they were their own worlds. I used to work at Art Partner and handled editorial portfolios for Mario Testino, Alasdair McLellan and Glen Luchford. I was her stylist first and then became her personal assistant. How did you end up working with Lindsay Lohan? Totokaelo is great too, their interior design is incredible. I always find a great designer piece or a sick tee. Star Struck Vintage in the West Village always has gems. He didn't believe in fear in design he turned runway into theater.Дover Street Market. So much of my wardrobe is made up of their pieces. Learning about Junya Watanabe and Rei Kawakubo, the way they deconstruct the notion of what clothing is and can be. That's what got me in with Japanese cultures and designers. I live for juxtaposition and playing with different price points, silhouettes, and textures. During middle school we had to wear uniforms, and I was always that girl finding ways around looking like everyone else. Seeing the Harajuku culture become mainstream inspired me even more.Д®ver since I can remember my style has been off-kilter I started dying my hair in fifth grade. I find that really cool because it's something that came naturally, out of curiosity. Curious Japanese youths came to experience a different culture and browse the Western goods in local stores catering to the Americans. The Harajuku vibe was created during the postwar Allied occupation of Japan, when American soldiers and civilians lived in the area. I initially discovered what Harajuku was through the international kids at my school. 'Hollaback Girl' was my favorite song in the fifth grade and it stuck with me forever.

Gwen Stefani was a really big point of influence for me growing up. The Harajuku vibe and Japanese culture inspires a lot of my looks. You're known for your style, which is incredibly distinct and avant-garde.

Over sushi in New York's East Village, we spoke about fashion, her relationship with Lil Uzi Vert, and her plans for the future. Fan pages are dedicated to her style and hair color, drunken partygoers recite ' my brittany got mad' with the same affectation as her famous lover on 'XO Tour Llif3.' 22-year-old Byrd developed her unique style at a young age, and moved from her native Los Angeles to study at the elite Parsons School of Design in New York after a stint working as Lindsay Lohan's personal stylist. And the Internet as a whole has embraced her as well.

Money Longer,' and frequently on his social media channels. Byrd's not just in Lil Uzi Vert's album art, but also appears as the centerpiece of his video ' With nearly 200,000 Instagram followers, Byrd is changing all that and claiming her fame as the muse of one of music's biggest young names. They stand in contrast to black women, the world's most generous muse, who's stripped of her likeness and bleached with deceit. They are able to be respectable muses, noted for their ability to inspire. Pale women are able to inspire, influence, and inform sartorial choices, artworks, and beauty trends with careful detail and endless profit. A critical lens is not applied to subjects perpetually rendered inapt. Like many aspects of black life, music created by black bodies often goes unexamined by the mainstream. It would be explicated, her likeness analyzed. Under a particular lens, Byrd's placement on such an inescapable piece of art would be the subject of much discussion. And there, perched on the top of his purple head like a crown, is Brittany Byrd. Uzi, the center of the image, towers over everyone. Hands-brown, white, and taupe-are outstretched, ready to give away hard-earned cash. Interracial couples kiss amidst flashing cameras. The Worldis the kind of image that you come back to.

Stole your luv lil uzi vert album cover